Category: Writing


A Book is Born

Well, I finally did it. I finished a book. Writing one, that is.

I cleared my calendar all summer of almost everything and gave myself an August 31st deadline. Here in Texas that wasn’t so much a sacrifice. Nearly everyday from May until the beginning of September the temperature was 100 degrees or above, except for those days it dipped to 99. So going out in that kind of oven was not the least appealing to me.

I wanted to be able to stop saying I’m working on a novel. After all, who doesn’t say that? (A friend pointed out to me that she doesn’t know anyone who says that, so it depends on the circles in which one travels.) I wanted to be able to say I have completed a novel, and now I have to learn how to get an agent, and then, a publisher.

For a few days I was so excited that I had achieved this milestone. Then, oh yeah, then, I realized all the problems with the book. I wondered about the narrative arc, the characters, the plot, for God’s sake. What’s the plot?  Then, very kindly, a dear friend in my writing circle told me what the plot was. Wheewh!  What a relief. I had a plot that someone other than me (or is it I?) could discern.

Now, with a whole week’s worth of distance, I have to go back through and revise. But since I work in such a fashion that I have revised and revised and revised as I went along, it shouldn’t be as painful as I anticipate. Plus, (now this is a big plus) I have a writing salon (sounds so literary, doesn’t it?) and together we have been revising and commenting on each other’s work all through the process.

Next question: How do you compose a query letter?  I’m giving myself one week to figure that out. Wish me luck.

 

Running In Traffic

Do you ever see those kids on the median of a parkway trying to beat the traffic and make it to the other side?

I always cringe and pray that they make it over without becoming road splat.

So, why, oh why, was that the image that came to me when I was trying to picture the experience of being hit by inspiration?

I’ll back up a little.  I spent a good part of Friday morning talking with my son Michael who lives across the country. Good part in many senses of the word. We so often end up talking art and literature and we we talked for quite a while– so yeah, a good part of the morning.

He’s a musician and a song writer and a lyricist (among his many talents– I know, I sound like his mother–but so what)  so we can discuss all kinds of English Major stuff that other people usually walk away from and find a football game to watch.  Naturally, we ended up on the topic of ‘where do some of these ideas, words, music come from’?  We agree that it is a grace, a gift, a visitation if I may be so bold, and it is wonderful.  Some get big doses of this transmission—Mozart, Shakespeare and Willy Nelson come to mind– but for a more humble recipient of the occasional glimpses of grace that I receive—I am grateful.  It is why we keep doing this.  Even if our craft never sees publication or more than a little audience, it is still good.  Sacraments are the outward sign of God’s grace, so I was taught in first grade (thank you, Sr Mary Norbert) so in the small ‘s’ use of sacraments, these moments are sacramental.

Michael and I talked about both the gift end of receiving the grace and the showing up end–that is, you generally have to show up to work in some sense (though not always–that’s the nature of gift) to receive those flashes, those sounds, those words and phrase that flow through your fingertips.

And that is where the picture of a kid trying to cross traffic popped to mind.  But in this analogy, messy though it is, you hope to get hit–not by a car–but by a slam of words, music, lyrics, art.

Which raises a question.  If I am noticing the kid on the median, then somehow he was ‘lucky’ enough to make it from the other side of the road safely.  Hmm,  that could fall into another category, not so good, as tempting angels.  Got to think about that.  Later.

NaNo

We are coming to the end of NaNoWriMo.  I’d surprise myself immensely if I manage the full 50,000 words by Monday midnight. The experience, though, has been fruitful if not completely successful.  I’ve gotten a few story starts, anecdotes, character filling out and understanding of what it is I am trying to say in my novel.  There are decisions to be made. Directions have to be chosen, because when you are writing about three generations there are too many distractions and side roads to wander and take you far away from the point, the point, that is, that you think you are trying to make. Since I usually write works that are shorter than a novel, much shorter, my learning curve has been steep.

Here is one  fictional scene of what developed during my exercise of NaNo:

The side board in the dining room has rings. Concentric circles from sweated glasses left there, bare bottomed or through flimsy coasters that couldn’t do the job.

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Hey, Don’t I Know You?

I’ve just had a revelation. No angels or skies opening up. (That would have been cool, though.) Just a regular ordinary revelation.  A recognition.  Yeah, I like that word– recognition.  Like you’ve met somewhere before, and you realize, oh, that’s right.  That’s what I’ve been waiting for.

This is the beginning of week 2 of NaNoWriMo– National Novel Writing Month.  I started out amazingly well, for me.  I am a slow writer.  I dally. I dilly. I dilly-dally around  words, around thoughts, around characters.  That’s okay.  All writers have their own style and pace.

All last week while I was trying to get my daily production of about 1700 words a day on-screen, I realized that no matter how I tried to steer the work, I kept coming back to the same themes and characters I’ve been working on in my novel-in-progress.  I have about 23,000 words that I’m relatively pleased with (countless words of notes and trial and error and scenes that went nowhere), so, I thought, I’ll cheat.

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Gratitude

I belong to a marvelous writers group.  We call ourselves Salon Quatre (adding a little French somehow makes us more literary).  In less than two years Bill has published a book about a young Marine’s experience in the Pacific theatre of World War II (whose story is featured in the HBO series The Pacific). Drema has twenty publications of her warm and witty stories of growing up in the coal country of West Virginia and has won a nice handful of prizes along the way. Judith has continued to write her compelling poetry and has taken her ambitions to a new level—and will, in a bittersweet way, be moving across the country to pursue her dreams. Then there’s me, who comes to you every week here at Grace Notes and is getting closer to the finish line of a novel that has been churning around my brain for quite a while now.

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