Category: Voice


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Last week I did something I hadn’t done before. I removed a blog post. Why? Because it was ill conceived and poorly constructed. And, I have come the point in life, or the age, in which I think it is not only a good idea to admit my mistakes, but it is necessary. Necessary? Yes. Because if we stick to our mistakes and if our egos are too fragile to take correction, then we have just added a traffic jam to any meaningful conversation.

Meaningful conversation is one of the treasures of life. I enjoy a good conversation about as much as I enjoy reading. And I enjoy reading quite a bit.

As Craig Ferguson (comic and naturalized American citizen) likes to say, in America you get a second chance. And a third chance. And if you are tenacious, as many chances as you want.

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Memoir, continued

An archeologist recently found a shoe that dates back to 5500 B.C.  Reading about it in the NYTimes, I couldn’t help but smile at the journalist who had to wonder who wore this shoe, what kind of life did he or she lead, what was their culture like, why was this item carefully filled with grass and set within a burial cave?  All these questions from a leather shoe with broken and repaired laces.

Archeological references are apt when speaking of memoir.  A flash of memory, an old photo, a conversation around the dinner table, or a Thanksgiving family gathering, and voila! memoir is being articulated.

Some of us, though,  whose natural position is either pen in hand or fingers bent over a keyboard, take those nuggets, those snapshots of memory and imagination, and need to turn them into story.  We need to take the anecdotes, the characters, the situations, the culture and the specifics of history and find a thread of meaning, a connection, an overriding narrative to weave through our lives so we can perceive more of the whole, so we can argue against theories of randomness and anarchy in our own history.

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What is the Price of Memoir?

I have a bookshelf full of how-to-write books:  Strunk & White, Natalie Goldberg, Julia Cameron, Dorothea Brande, etcetera, etcetera, etcetera to quote Yul Brenner.

Perhaps I missed it, but I don’t remember reading an important caveat:  if you write a personal essay, a memoir, and it gets published and you win a plaque and get a lovely check, there is a price to pay.

Memoirs of a life lived in Happyville don’t often get published.  There needs to be conflict, confusion, battles, secrets, overcoming obstacles that still pop up every once in a while and punch you in the proverbial nose. And of course, there needs to be characters, otherwise known as real people, otherwise known as your parents, your brothers and sisters, your friends.  That is, the first people you loved and were loved by.  Family.

It would be the unusual family who cheers you on while you expose their faults.  Most families don’t like that so much.

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Remembering

Today is the 40th anniversary of the shooting at Kent State.  In Dallas, someone broke into the Book Depository of JFK assassination fame and tried to steal a safe.  There are always moments that are bookmarks in history, and every day, it seems, there is plenty of competition for some event to be the next headline in our historical memory.

I didn’t post last week because I noticed that I’ve been writing about the difficulties of writing instead of sharing the brighter moments of writing: the moments when you get things right.  Getting it right is often a very personal yes, but when you receive feedback that something you wrote resonates a yes with others, then there is the reward.  So, here I will relay an excerpt of a piece that received a few yeses:  an excerpt from Mystique, published in the 2006 edition of Ten Spurs, of the Mayborn competition:

In September of 1963 I finally get to go to first grade.  I put on my new wool jumper, black and white oxfords and beret for the opening day of school.  The church is filled with uniformed boys and girls, nuns in yards of black organza and starched white wimples.  I am now initiated with my older brothers and sister into this long-awaited ritual.  Several priests assist Fr. Dunnigan at the communion rail for the hundreds of communicants.  We first graders kneel in place, back straight, singing the hymns, waiting for our turn next spring.  We are in touch with something here, something ancient and deep and true.  Communion of saints bridging the past to present to future; our souls, just for a moment, glimpse the ineffable.  Dominus vobiscum. Et cum Spiritu tuo.

Sister Mary Norbert stands in front of the seventy-five first graders under her care, a long, large Rosary with a crucifix bigger than my hand hanging from her waistband, her young face pinched in the white wimple.  The principal breaks in over the loudspeaker this grey afternoon before Thanksgiving, interrupting our lesson.  Her voice cracks.  Our President has been shot.

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Creative Process

I’ve had a request to write about the ‘creative process’ sitting in my suggestion box for several months now.  Mea culpa.

When my spouse (who got me started on this adventure) pointed out that I have not yet answered the request for a blog on Creative Process,  I countered with my argument that I write about the creative process all the time.  But, I am informed, I need to be more direct.  So, here’s direct.

The ‘creative process’ is a bit of a slippery fish.  It starts early.  In infancy.  In very young childhood.  In all the reflection and memories and dinner table anecdotes that happen at every holiday and family/friend get togethers.  The creative process takes shape in sitting around with friends and  having a beer or a cup of coffee.  We cannot help but engage in the creative process if we tune into life at all.  It is a default setting for anyone with a brain wave. But for those of us who want to take the raw materials that life hands us and turn them into something more, we pay attention, tune in, remember just a bit more acutely than others.

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